A Profound Journey
Est. 1995
Travel, technology, reviews, projects and diary — newest first.
James Cameron hands his long-cherished manga adaptation to Robert Rodriguez, and the result is the most purely enjoyable cyberpunk adventure in years. Critics are lukewarm, audiences are not, and I am firmly with the audiences. 9/10.
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Sony hands the most over-filmed superhero in cinema to its animation house and gets back the freshest Spider-Man in years, a film that looks like nothing else on a screen this winter. 8.5/10.
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Damien Chazelle turns the Moon landing inward, into a study of grief and the men who flew sealed tin cans into the dark. Cold by design, immersive when it counts. 8/10.
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A 75-foot prehistoric shark, Jason Statham, and not one ounce of pretension. The critics are sniffy and they are missing the point of the ticket. 7.5/10.
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Six films in, the most reliable action franchise going hands the keys to Christopher McQuarrie and lets Tom Cruise hang off a helicopter for real. The result is the series at its most sustained and most punishing. 8.5/10.
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The franchise leaves the island, hands the reins to a horror director, and turns the back half into a haunted house with teeth. The critics are unimpressed; I had a fine time. 8/10.
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A prequel nobody demanded, made through a famously rocky production, that turns out to be a breezy heist-western in space. Lower stakes, better fun than its reputation. 8/10.
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Ten years and eighteen films later, Marvel gathers everyone into one room and then hands the film to the villain. It should collapse under its own cast list, and somehow it does not. 8.5/10.
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Spielberg adapts Ernest Cline's nostalgia hunt into a breathless chase through a virtual world, and it is far more fun than the snobs will admit. 8/10.
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Guillermo del Toro turns a Cold War monster movie into a love story and gets away with it through sheer craft and conviction. Strange, sincere, beautifully made. 8/10.
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