Disclosure Day (2026)
Spielberg comes home to the alien picture with Emily Blunt, John Williams and a head full of his own back catalogue. Beautifully made, generous, and then it cheats you at the door. 6.5/10.
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Masters of the Universe (2026)
Travis Knight drags a 1980s toy line into proper science-fantasy with a real world behind it, and the result is far more confident than four decades of false starts had any right to produce. 8/10.
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The Mandalorian and Grogu (2026)
Din Djarin and his small green ward make the jump from streaming to the big screen, and the space-western tone survives the trip intact. Familiar, warm, and built for the rewatch. 8/10.
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Project Hail Mary (2026)
Andy Weir's problem-solving science fiction reaches the screen with Ryan Gosling alone in space, and the result is the best thing the genre has produced since The Martian. 9/10.
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