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The Book of Eli (2010)

The Book of Eli (2010)

The Hughes brothers return with a sun-bleached post-apocalyptic western that critics find thin and I find quietly gripping. Denzel Washington carries it, the world earns its silence, and on mood and rewatchability it lands well above the consensus. 8/10.

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Sherlock Holmes (2009)

Sherlock Holmes (2009)

Guy Ritchie drags Conan Doyle's detective off the armchair and into the bareknuckle ring, and Robert Downey Jr gives him a manic charm that carries the whole thing. Not the Holmes of the deerstalker, but a thoroughly entertaining one. 8/10.

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Avatar (2009)

Avatar (2009)

James Cameron returns from a twelve-year absence with an old story and a brand new planet. The plot is borrowed, the world is not, and on sheer immersion it is close to the top of the genre. 9/10.

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District 9 (2009)

District 9 (2009)

A first-time director, a Peter Jackson cheque, and a mothership parked over Johannesburg. District 9 smuggles a furious apartheid allegory inside a mock-documentary action film, and the trick mostly comes off. 8/10.

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The Hurt Locker (2009)

The Hurt Locker (2009)

Kathryn Bigelow's Iraq bomb-disposal thriller is the most acclaimed war film of the year, and I came away cold. Brilliantly shot, well acted, and for me an exhausting watch I have no wish to repeat. 5/10.

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The Taking of Pelham 123 (2009)

The Taking of Pelham 123 (2009)

Tony Scott remakes a 1974 New York hostage thriller as a loud, sweaty showdown between Denzel Washington's tired dispatcher and John Travolta's ranting villain. The original was leaner, but this one moves. 7.5/10.

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Moon (2009)

Moon (2009)

Duncan Jones makes his directing debut with a small, patient lunar science fiction film built around one actor and one idea. It is quiet, intelligent and beautifully made, and Sam Rockwell holds it together almost alone. 7.5/10.

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Terminator Salvation (2009)

Terminator Salvation (2009)

The franchise finally crosses into the future war it has been promising since 1984, and trades time-travel for boots in the ash. The reviews are brutal and the heart is thinner than it should be, but as a piece of post-apocalyptic spectacle it works better than its reputation. 7/10.

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